francois louis schmied
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clawmarks:Narcisse - François-Louis Schmied - c.1925 - via Sotheby’s
clawmarks: L'Odyssée. Volume 3 - illustrations de François-Louis Schmied - 1930-1933 - via Gallica (marked public domain)
design-is-fine: François Louis Schmied, page with geometric decorations, in Alfred de Vigny, Daphné, 1924. Paris. The Pierpont Morgan Library, New York. Source
Francois-Louis Schmied
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i-sing-the-gay-body-electric: François-Louis Schmied
fuckingneongreen:https://ratatoskryggdrasil.tumblr.com/post/175748269973/francois-louis-schmied-mounted-horseman-1932
art-and-things-of-beauty:Francois Louis Schmied (1873-1941) - Bathers, Valleé du Draa, Morocco, 1938. Tempera on cardboard, 40 x 19,5 cm.
houndeye: François-Louis Schmied Baigneurs, Vallée du Draa, Maroc - 1936
gayartists:Bathers (1938), François Louis Schmied
arteefalo:François Louis Schmied (1873-1941).Bathers, Valée du Draa, Morocco (1938). Tempera on cardboard.
criminalq: François-Louis Schmied (1873-1941)
godgazer:François-Louis Schmied
pinkstarlightcomputer:Jean Dunand and François-Louis Schmied “La Forêt” The forest, ca.1929 lacquered wood panel screen 175 x 220 x 55 cm. (68.9 x 86.6 x 21.7 in.)
void-dance: Painting by François Louis Schmied
hauntedbystorytelling:Les chansons de Bilitis, 1922 Les chansons de Bilitis, traduit du grec par Pierre Louÿs , illustrateur: George Barbier, graveur: François-Louis Schmied. P. Corrard, Paris, 1922. p. 167. | src Gallica ~ BNF
