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thelingerieaddict: The Corset’s Effect Photo Credits: 1. corset, 1750-75, from Metropolitan Museum of Art | Portrait of Grand Duchess Maria Fiodorovna by Alexander Roslin, 1777 2. corset, 1839-41, from Metropolitan Museum of Art | Marquise de

met-drawings-prints: The Holy Family by Giovanni Battista Tiepolo, Drawings and PrintsMedium: Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk (verso)Bequest of Alexandrine Sinsheimer, 1958 Metropolitan Museum of Art, New York,

hadrian6: The triumph of fame. 1449. Lo Scheggia. Italian. 1406-1486. birth tray. tempera, silver and gold on panel. Metropolitan Museum of Art. NYC. http://hadrian6.tumblr.com

bonjourtableau: The Creation of the World and the Expulsion from Paradise, 1445, Giovanni di Paolo, Metropolitan Museum of Art

artruby: GIF from the Egyptian Wing of the Metropolitan Museum of Art — Museum GIFs

artmodelnyc: Franz Kline: Black Reflections (64.146) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

cavetocanvas: Jim Dine, Gray Palette, 1963 From the Metropolitan Museum of Art: Between 1961 and 1964 Dine made a series of works that used the shape of the artist’s palette both as a backdrop for other imagery and as a surrogate self-portrait. Here

art-of-swords: Sword with Scabbard Dated: 16th–19th century Culture: Chinese or Korean Medium: steel, wood, bronze, gold, silver, iron, pigment Measurements: blade length 2 ft. (61 cm) Source: Copyright © 2014 The Metropolitan Museum of Art

centuriespast: Virgin of the Rosary of Guápulo Peruvian (Cuzco) Painter, about 1680 the Metropolitan Museum of Art

micdotcom: Rihanna showed exactly how to honor a foreign culture at the Met Gala: Go straight to the source The theme of the Metropolitan Museum of Art’s new Costume Institute exhibit, which the Met Gala is intended to honor, is China: Through the

Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657); The preaching of St. John the Baptist, 1634; oil on wood, 75 x 55 cm; Metropolitan Museum of Art, New York

grandegyptianmuseum: Fragment of the Face of a Queen (yellow jasper, 13 x 12.5 x 12.5 cms), from Tell el-Amarna (Akhetaten). Amarna Period, New Kingdom, 18th Dynasty, reign of Akhenaten, ca. 1353-1336 BC. Now in the Metropolitan Museum of Art.

lionofchaeronea:Painted limestone stela of the steward Mentuwoser. Artist unknown; ca. 1944 BCE (Year 17 of the reign of Senusret I, 12th Dynasty, Middle Kingdom). Now in the Metropolitan Museum of Art.

attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese

Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,

grandegyptianmuseum:Fragment of the Face of a Queen (yellow jasper, 13 x 12.5 x 12.5 cms), from Tell el-Amarna (Akhetaten). Amarna Period, New Kingdom, 18th Dynasty, reign of Akhenaten, ca. 1353-1336 BC. Now in the Metropolitan Museum of Art.

mermanonfire: The Drawings of Bronzino “Seated Nude Youth Playing Panpipes,” in the show at the Metropolitan Museum of Art. (Photo: Louvre Museum)

Tapestry in the Baroque : “Threads of splendor.” Detail from the battle of the Granicus. 1680-87. Designed by Charles Le Brun. French.1619-1690. exhibition at the Metropolitan Museum of Art. NYC. 2007-08.

art-of-swords: Bollock Dagger Replica Dated: 1450-1500 (the original) Culture: English (the original) Measurements: overall length: cca. 42 cm The original dagger is property of the Metropolitan Museum of Art, New York, USA. Source: Copyright ©

tammuz: Alabaster relief from the Southwest Palace of the Assyrian king Sennacherib in Nineveh depicting a cavalryman leading his horse beside a stream. The relief dates back to 704-681 BCE. The Metropolitan Museum of Art, New York City, NY. Photo by

omgthatartifact: The Unicorn in Captivity (from The Unicorn Tapestries) 1495-1500 The Metropolitan Museum of Art “”The Unicorn in Captivity” may have been created as a single image rather than part of a series. In this instance, the unicorn probably

At Metropolitan Museum of Art @macgeenow took this photo of me while taking photo 📷😉 #sony #5100 #ootd #travel (at The Metropolitan Museum of Art, New York)

Metropolitan Museum of Art (at The Metropolitan Museum of Art, New York)

italianartsociety: There is less than a month to visit the exhibition Michelangelo: Divine Draftsman and Designer at the Metropolitan Museum of Art. The show explores the genius and power of Michelangelo’s draftsmanship, particularly his use of disegno.

art4gays: ganymedesrocks: Musings on Grecian Aesthetics: From the Metropolitan Museum of Art exhibited Terracotta statuette of the Diadoumenos – a Copy of a Greek bronze statue of circa 430 BC by Polykleitos to this very contemporary picture attesting

ganymedesrocks: The Diadoumenos, the ‘Victor’ ribbon wearer, a First century BC terracotta copy of a Polykleitos Greek bronze statue of ca. 430 BC., The Metropolitan Museum of Art.

florus: (by if the rain comes)

omgthatdress: Nightgown 1915-1925 The Metropolitan Museum of Art

omgthatdress: Negligée 1920s The Metropolitan Museum of Art

omgthatdress: Nightgown 1926-1927 The Metropolitan Museum of Art

omgthatdress: Lingerie Set 1920-1925 The Metropolitan Museum of Art

omgthatdress: Wedding Shoes André Perugia, 1925 The Metropolitan Museum of Art

omgthatdress: Fan 1900-1915 The Metropolitan Museum of Art

omgthatdress: Dress 1928 The Metropolitan Museum of Art

omgthatdress: Dress 1925 The Metropolitan Museum of Art

omgthatdress: Evening Dress Edward Molyneux, 1929 The Metropolitan Museum of Art

omgthatdress: Dress 1926 The Metropolitan Museum of Art

omgthatdress: Ensemble Jeanne Lanvin, 1923 The Metropolitan Museum of Art

omgthatdress: Shawl 1920s The Metropolitan Museum of Art

omgthatdress: Tuxedo Jeanne Lanvin, 1927 The Metropolitan Museum of Art

omgthatdress: Evening Dress Coco Chanel, 1926-1928 The Metropolitan Museum of Art

omgthatdress: Evening Dress Coco Chanel, 1925 The Metropolitan Museum of Art

omgthatdress: Chemise 1925 The Metropolitan Museum of Art

omgthatdress: Ensemble Coco Chanel, 1927 The Metropolitan Museum of Art

omgthatdress: Evening Dress Coco Chanel, 1925 The Metropolitan Museum of Art *wyje długo, przeciągle i boleśnie*

art-of-swords: RapierDated: circa 1570Culture: ItalianMedium: steel, gold, iron, woodMeasurements: L. 47 5/8 in. (121 cm); W. 10 in. (25.4 cm); D. 5 in. (12.7 cm); Wt. 2 lb. 8 oz. (1133.98 g)Source: Copyright © 2015 The Metropolitan Museum of Art

mediumaevum: Left: Sword, 10th century. European, probably Scandinavia. Iron, copper, silver, niello. The Metropolitan Museum of Art, New York, Rogers Fund, 1955 Right: Sword, possibly 12th–early 13th century. Western European. Iron. The Metropolitan

art-pickings: Horace Pippin (1888 – 1946, American) Victorian Parlor (also known as Victorian Interior I) (1945), oil on canvas, 20 x 24inch. The Metropolitan Museum of Art, New York

padme-gusta: Appreciating the medieval and Renaissance European art exhibits at the Metropolitan Museum of Art, New York City.

omgthatdress: slippers 1950s The Metropolitan Museum of Art “No object better epitomizes the sex-kitten glamour of the 1950s than the marabou mule. The style has become an icon of feminine allure, making it the only significant modern survivor of the

omgthatdress: slippers 1950s The Metropolitan Museum of Art “No object better epitomizes the sex-kitten glamour of the 1950s than the marabou mule. The style has become an icon of feminine allure, making it the only significant modern survivor of the

art-of-swords: RapierDated: circa 1570Culture: ItalianMedium: steel, gold, iron, woodMeasurements: L. 47 5/8 in. (121 cm); W. 10 in. (25.4 cm); D. 5 in. (12.7 cm); Wt. 2 lb. 8 oz. (1133.98 g)Source: Copyright © 2015 The Metropolitan Museum of Art

mediumaevum: Left: Sword, 10th century. European, probably Scandinavia. Iron, copper, silver, niello. The Metropolitan Museum of Art, New York, Rogers Fund, 1955 Right: Sword, possibly 12th–early 13th century. Western European. Iron. The Metropolitan

peashooter85: Flintlock blunderbuss produced by the armories of Tipu Sultan, ruler of the Kingdom of Mysore. Seringapatam, India, late 18th century. Currently on display at the Metropolitan Museum of Art.

medievalpoc: Altar to the Hand of Ezomo Ehenua (Ikegobo) Nigeria, Court of Benin (c. late 1700s) Brass, 33 x 33 cm. The Metropolitan Museum of Art In the kingdom of Benin, ikegobo, or “altars to the hand,” celebrate the accomplishments of exceptional

newlifeahead: There are times he needs to stand back and see the beauty of what is in front of him. When the lighting illuminates her as if she were on display at the Metropolitan Museum of Art. Moments like this are made for fine cognac and cigars.

omgthatartifact: Terracotta Vase in the Shape of an African Youth’s Head Etruscan, 4th century BC The Metropolitan Museum of Art “This vase combines the distinctive neck of the so-called Shape VII oinochoe with a naturalistic head of a young black

Al-Andalus: The Art of Islamic Spain The Metropolitan Museum of Art, 1992

sadpigeon2: celebritiesofcolor: FKA Twigs and Robert Pattinson attend the ‘China: Through The Looking Glass’ Costume Institute Benefit Gala at the Metropolitan Museum of Art on May 4, 2015 in New York City. THIS IS THE MOST INCREDIBLE PIECE OF

The Empire State Building is regal in red for the Metropolitan Museum of Art and its soon-to-open Met Breuer. Inga’s Angle

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