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bitsndpieces: “This photograph is my proof. There was that afternoon, when things were still good between us, and she embraced me, and we were so happy. It did happen. She did love me. Look for yourself.” This is my proof, Duane Michals, 1974

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le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970)

le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970)

https://64.media.tumblr.com/avatar_a8991bfed6d2_512.png

https://64.media.tumblr.com/avatar_a8991bfed6d2_512.png

lottereinigerforever: David Lynch on the set of Blue Velvet, 1985 (photo by Peter Braatz)

lottereinigerforever: David Lynch on the set of Blue Velvet, 1985 (photo by Peter Braatz)

le-flaneur-visuel: Damnation, Béla Tarr (1988)

le-flaneur-visuel: Damnation, Béla Tarr (1988)

discretecharm: Human life is meaningful, rich, beautiful and filthy. It links everything. It mistreats freedom only… wasting it, as if it was junk. People don’t like freedom, they are afraid of it. The strange thing is there is nothing to fear about

discretecharm: Human life is meaningful, rich, beautiful and filthy. It links everything. It mistreats freedom only… wasting it, as if it was junk. People don’t like freedom, they are afraid of it. The strange thing is there is nothing to fear about

you killed me first

you killed me first

vivipiuomeno1: Francesca Woodman (1958-1981)                                Also

vivipiuomeno1: Francesca Woodman (1958-1981)                                Also

javierizquierdo: Binh Danh

javierizquierdo: Binh Danh

dotroom: 100 years ago today, on February 5, 1916, Dada was born.

dotroom: 100 years ago today, on February 5, 1916, Dada was born.

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