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Book Of The Damned, by Charles Fort (John Brown Publishing, 1995) From a charity shop in Nottingham. “It is our expression that nothing can attempt to be, except by attempting to exclude something else: that which is commonly called ‘being&rsq

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Blog: everything second-hand


tags: charles fort, fortean, book of the damned

original: http://everythingsecondhand.tumblr.com/post/44778421115

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The Quatermass Experiment, by Nigel Kneale, Penguin 1959. From a charity shop in Nottingham. “Cut to Quatermass. He presses the master switch. An indicator light flashes. Cut to the rocket…very, very slowly, the hatch begins moving outwards.

The Quatermass Experiment, by Nigel Kneale, Penguin 1959. From a charity shop in Nottingham. “Cut to Quatermass. He presses the master switch. An indicator light flashes. Cut to the rocket…very, very slowly, the hatch begins moving outwards.

Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv

Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv

Rabid, directed by David Cronenberg (1986, Empire Video), VHS tape. From a car boot sale in Nottingham. “You can’t trust your mother, your best friend, your next door neighbour… one minute they’re  perfectly normal THE NEXT&hellip

Rabid, directed by David Cronenberg (1986, Empire Video), VHS tape. From a car boot sale in Nottingham. “You can’t trust your mother, your best friend, your next door neighbour… one minute they’re  perfectly normal THE NEXT&hellip

Photographs from The Cinema of John Frankenheimer by Gerald Pratley, International Film Guide Series, 1969 Bought from a charity shop, Nottingham. John Frankenheimer on Seconds (1966)  “I think with every film before you even start to make it,

Photographs from The Cinema of John Frankenheimer by Gerald Pratley, International Film Guide Series, 1969 Bought from a charity shop, Nottingham. John Frankenheimer on Seconds (1966)  “I think with every film before you even start to make it,

Montana Gothic, by Dirck Van Sickle Bought from a charity shop, London. “He put on the same clothes he’d worn since last summer; the shirt stiffly wrinkled with nose wipings, the top three buttons gone. His cowboy boots, a struggle to put

Montana Gothic, by Dirck Van Sickle Bought from a charity shop, London. “He put on the same clothes he’d worn since last summer; the shirt stiffly wrinkled with nose wipings, the top three buttons gone. His cowboy boots, a struggle to put

Collection of old photos from various East Midlands portrait photographers (including Roberts & Son, Derby; G. Caldwell, Nottingham; Phillips and Freckleton, Nottingham). From a junk shop, Mansfield Road, Nottingham.

Collection of old photos from various East Midlands portrait photographers (including Roberts & Son, Derby; G. Caldwell, Nottingham; Phillips and Freckleton, Nottingham). From a junk shop, Mansfield Road, Nottingham.

Dark Star, by Alan Dean Foster (Futura 1979) Bought from a charity shop, Nottingham. “‘Listen bomb,’ Pinback pleaded, 'pretty bomb, logical bomb, lovely reasonable thermostellar triggering device…” 'Flattery will get you

Dark Star, by Alan Dean Foster (Futura 1979) Bought from a charity shop, Nottingham. “‘Listen bomb,’ Pinback pleaded, 'pretty bomb, logical bomb, lovely reasonable thermostellar triggering device…” 'Flattery will get you

The Man In The Cryogenic Freezer: Interview with John Carpenter, from Sight and Sound Magazine, Spring 1978. Free from Broadway Cinema, Nottingham. “Do you really see yourself as belonging with the older generation of film-makers, people like Howard

The Man In The Cryogenic Freezer: Interview with John Carpenter, from Sight and Sound Magazine, Spring 1978. Free from Broadway Cinema, Nottingham. “Do you really see yourself as belonging with the older generation of film-makers, people like Howard

Bressonisms, From Sight and Sound, Winter 1976/7 Free from Broadway Cinema, Nottingham.

Bressonisms, From Sight and Sound, Winter 1976/7 Free from Broadway Cinema, Nottingham.

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