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Hans von Marées (1837 - 1887, Roma), Hesperiden (1884), triptychon, oil on wood, 341 cm x 482  “He […] developed a complex and individual technique, overpainting tempera with layers of oil and creating a depth of colour quite unlike the

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Blog: The gilded shell



tags: art, art history, mithology, hesperides, nude, Hans von Maree, german artists

original: https://climacus.tumblr.com/post/58269361882

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blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

artpropelled: Ruth Stage

artpropelled: Ruth Stage

snowce: Mario Dilitz

snowce: Mario Dilitz

hadrian6: Phidias chiselling the bust of Zeus. 1802. Jozsef Dorffmeister. Hungarian. 1764-1807. oil on canvas. http://hadrian6.tumblr.com

hadrian6: Phidias chiselling the bust of Zeus. 1802. Jozsef Dorffmeister. Hungarian. 1764-1807. oil on canvas. http://hadrian6.tumblr.com

paperimages: Alina Lebedeva

paperimages: Alina Lebedeva

Théo van Rysselberghe (1862 - 1926), The burnished hour (1897)

Théo van Rysselberghe (1862 - 1926), The burnished hour (1897)

renaissance-art: Botticelli c. 1480s Dante: Divina Commedia

renaissance-art: Botticelli c. 1480s Dante: Divina Commedia

frozenwarnings:  Paul Delvaux: La nuit de Noël (1956).

frozenwarnings:  Paul Delvaux: La nuit de Noël (1956).

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