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hadrian6: Detail : Torso in profile of a male nude. 1774 [sic]. Jean Louis Theodore Gericault. French. 1791-1824. oil on canvas. http;//hadrian6.tumblr.com According to hadrian6, this nude was painted almost 20 years before the author’s birth.

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Blog: The gilded shell


tags: art detail, art, painting, male nude, theodore gericault

original: https://climacus.tumblr.com/post/58266235645

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gedankenanflug: Toltec-Chac Mool

gedankenanflug: Toltec-Chac Mool

artmastered: Alexej von Jawlensky, Variation, c.1916

artmastered: Alexej von Jawlensky, Variation, c.1916

loftcultural: Fernando Botero - Madonna with a Child (1965)

loftcultural: Fernando Botero - Madonna with a Child (1965)

centuriespast: Jean Louis André Théodore Géricault French, 1791-1824 The Tempest, c. 1821–1823 Watercolor Art Institute Chicago

centuriespast: Jean Louis André Théodore Géricault French, 1791-1824 The Tempest, c. 1821–1823 Watercolor Art Institute Chicago

blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

artpropelled: Ruth Stage

artpropelled: Ruth Stage

Hans von Marées (1837 - 1887, Roma), Hesperiden (1884), triptychon, oil on wood, 341 cm x 482  “He […] developed a complex and individual technique, overpainting tempera with layers of oil and creating a depth of colour quite unlike the

Hans von Marées (1837 - 1887, Roma), Hesperiden (1884), triptychon, oil on wood, 341 cm x 482  “He […] developed a complex and individual technique, overpainting tempera with layers of oil and creating a depth of colour quite unlike the

snowce: Mario Dilitz

snowce: Mario Dilitz

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