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paperimages: Mark Rothko, Heads, 1941-42 Teste, ma discutono, e il discutere trae in inganno; conversano, ma quel conversare svela l'intrigo: ricordo che versare in latino è fundere (profondere infondere effondere …) e che perciò per sostituzione

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The gilded shell

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The gilded shell

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Blog: The gilded shell


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original: https://climacus.tumblr.com/post/19000977062

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artchipel: HILDA - Abstraction rouge. Tirage pérenne “Fine Art” TIPEA sur papier Hahnemühle Museum Etching 350g, série limitée à 40 available here > Viene voglia di dire “l'ho veduto tre o quattro volte, stava qui fuori.” Ma

artchipel: HILDA - Abstraction rouge. Tirage pérenne “Fine Art” TIPEA sur papier Hahnemühle Museum Etching 350g, série limitée à 40 available here > Viene voglia di dire “l'ho veduto tre o quattro volte, stava qui fuori.” Ma

theories-of: Richard Mosse-Vintage Violence, North Kivu, Eastern Congo, 2011

theories-of: Richard Mosse-Vintage Violence, North Kivu, Eastern Congo, 2011

devinhasnolife: Showgirls at the Latin Quarter Nightclub: 1950’s by Gordon Parks La curva esageratamente accentuata dell'avambraccio destro della bionda ossigenata in primo piano è innaturale, protesica e gommosa. La supinazione e la pronazione,

devinhasnolife: Showgirls at the Latin Quarter Nightclub: 1950’s by Gordon Parks La curva esageratamente accentuata dell'avambraccio destro della bionda ossigenata in primo piano è innaturale, protesica e gommosa. La supinazione e la pronazione,

2headedsnake: flickr.com:photos:kraftgenie Felix Vallotton, Verdun, 1917, 146cm x 114cm, oil on canvas, Paris - Musée de l’Armée

2headedsnake: flickr.com:photos:kraftgenie Felix Vallotton, Verdun, 1917, 146cm x 114cm, oil on canvas, Paris - Musée de l’Armée

overinformedblues: Felix Vallotton, Intimacy

overinformedblues: Felix Vallotton, Intimacy

carolinedemaigret: Arizona Muse

carolinedemaigret: Arizona Muse

hinaccci: Bruce Nauman by dadevoti on Flickr.  

hinaccci: Bruce Nauman by dadevoti on Flickr.  

timelightbox: Untitled (Judith # 2), 2002. Pigment print on Harman by Hahnemuhle Gloss Baryta paper 60 x 50 cm. © Jocelyn Lee, Courtesy Flatland Gallery, Utrecht-Paris and Pace/MacGill Gallery, New York Photographer Jocelyn Lee

timelightbox: Untitled (Judith # 2), 2002. Pigment print on Harman by Hahnemuhle Gloss Baryta paper 60 x 50 cm. © Jocelyn Lee, Courtesy Flatland Gallery, Utrecht-Paris and Pace/MacGill Gallery, New York Photographer Jocelyn Lee

missfolly: The Eve of St Agnes, 1856, by Arthur Hughes

missfolly: The Eve of St Agnes, 1856, by Arthur Hughes

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