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dappledwithshadow: Vincent van GoghThe Seine with a Rowing BoatOil on canvas55.0 x 65.0 cm.Paris: Spring, 1887

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Richard Diebenkorn (American, 1922-1993), Berkeley #57, 1955; oil on canvas, 149 x 149 cm; San Francisco Museum of Modern Art (SFMOMA)

Richard Diebenkorn (American, 1922-1993), Berkeley #57, 1955; oil on canvas, 149 x 149 cm; San Francisco Museum of Modern Art (SFMOMA)

sulphuriclike:Oskar ZwintscherBildnis einer Dame mit Zigarette, 1904 Gemäldegalerie Alte Meister, Dresden

sulphuriclike:Oskar ZwintscherBildnis einer Dame mit Zigarette, 1904 Gemäldegalerie Alte Meister, Dresden

kundst: Guido Cagnacci (Ital. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.

kundst: Guido Cagnacci (Ital. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.

the-paintrist: master-painters: János Thorma - Portrait of Irén Bilcz - 1892 János Thorma (24 April 1870 – 5 December 1937) was a Hungarian painter. A representative figure of the Nagybánya artists’ colony, which started in 1896 at what is today

the-paintrist: master-painters: János Thorma - Portrait of Irén Bilcz - 1892 János Thorma (24 April 1870 – 5 December 1937) was a Hungarian painter. A representative figure of the Nagybánya artists’ colony, which started in 1896 at what is today

artmastered: Albrecht Dürer, The Seven Sorrows of the Virgin, c.1496, oil on panel, 109 x 43 cm, Alte Pinakothek, Munich, and Gemäldegalerie Alte Meister, Dresden. Source The Seven Sorrows of the Virgin was Dürer’s first altarpiece. He was paid

artmastered: Albrecht Dürer, The Seven Sorrows of the Virgin, c.1496, oil on panel, 109 x 43 cm, Alte Pinakothek, Munich, and Gemäldegalerie Alte Meister, Dresden. Source The Seven Sorrows of the Virgin was Dürer’s first altarpiece. He was paid

Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation

Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation

alongtimealone: George Douglas Haig, “Leaderfoot, Scottish Borders”, 1963, Oil on canvas, 71.1 x 91.4 cm, Collection: City of Edinburgh Council

alongtimealone: George Douglas Haig, “Leaderfoot, Scottish Borders”, 1963, Oil on canvas, 71.1 x 91.4 cm, Collection: City of Edinburgh Council

artstoria:The Kiss, Auguste Rodin, 1887 terracotta

artstoria:The Kiss, Auguste Rodin, 1887 terracotta

mediumaevum: Limbourg Brothers: ‘October’, in: Très Riches Heures du Duc de Berry (15th century) If you are interested in all the details shown, read this lovely, short description on The World According to Art

mediumaevum: Limbourg Brothers: ‘October’, in: Très Riches Heures du Duc de Berry (15th century) If you are interested in all the details shown, read this lovely, short description on The World According to Art

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