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philamuseum: This panel shows the Virgin Mary lowering her belt to Thomas from Heaven to convince him that she has been lifted there after her death. Discover why this story was chosen for the altarpiece, during our Spotlight Gallery Conversations this

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Blog: The gilded shell


tags: art, painting, religious painting, neri di bicci, saint thomas, madonna, the virgin belt

original: https://climacus.tumblr.com/post/107990785400

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colin-vian:  Max Ernst e Dorothea Tanning a Sedona, Arizona, 1948

colin-vian:  Max Ernst e Dorothea Tanning a Sedona, Arizona, 1948

artmastered: Adolphe-Félix Cals, Fisherman, 1874, oil on canvas, 25 x 31 cm, Musée d’Orsay, Paris. Source Cals is a lesser-known exponent of the realism movement in 19th-century France. This piece was painted after the artist permanently moved from

artmastered: Adolphe-Félix Cals, Fisherman, 1874, oil on canvas, 25 x 31 cm, Musée d’Orsay, Paris. Source Cals is a lesser-known exponent of the realism movement in 19th-century France. This piece was painted after the artist permanently moved from

thunderstruck9: Keith Vaughan (English, 1912-1977), Still life with pears, 1951. Oil on canvas, 40.9 x 50.9 cm.

thunderstruck9: Keith Vaughan (English, 1912-1977), Still life with pears, 1951. Oil on canvas, 40.9 x 50.9 cm.

thunderstruck9: Robert Motherwell (American, 1915-1991), Black Figuration No. 2, 1976. Acrylic on canvas, 48 x 48 in.

thunderstruck9: Robert Motherwell (American, 1915-1991), Black Figuration No. 2, 1976. Acrylic on canvas, 48 x 48 in.

athousandwinds:  Mountain Torrent after the Storm, 1891, oil on canvas by Robert Russ, Austrian, 1847-1922. Residenzgalerie, Salzburg, Austria.   The strength of the storm can be seen in the washed out bridge and its capriciousness is seen in the leaving

athousandwinds:  Mountain Torrent after the Storm, 1891, oil on canvas by Robert Russ, Austrian, 1847-1922. Residenzgalerie, Salzburg, Austria.   The strength of the storm can be seen in the washed out bridge and its capriciousness is seen in the leaving

Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection

Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection

italianartsociety: Painter Paris Bordone died on 19 January 1571 in Venice, where he had spent the majority of his career.  A native of Treviso, Bordone excelled in portraiture, mythologies, and history paintings.  Working in both oil and fresco, Bordone

italianartsociety: Painter Paris Bordone died on 19 January 1571 in Venice, where he had spent the majority of his career.  A native of Treviso, Bordone excelled in portraiture, mythologies, and history paintings.  Working in both oil and fresco, Bordone

thunderstruck9: Carlo Carrà (Italian, 1881–1966), Solitudine, c.1917–1926. Oil on canvas, 91.5 x 55.5 cm.

thunderstruck9: Carlo Carrà (Italian, 1881–1966), Solitudine, c.1917–1926. Oil on canvas, 91.5 x 55.5 cm.

thunderstruck9: Georges Braque (French, 1882-1963), The Painter and His Model, 1939. Oil on canvas, 129.8 x 175 cm. via alongtimealone

thunderstruck9: Georges Braque (French, 1882-1963), The Painter and His Model, 1939. Oil on canvas, 129.8 x 175 cm. via alongtimealone

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