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boozerman: “Weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it’s tender and pliant. But when it’s dry and hard, it dies. Hardness

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Blog: stars, hide your fires









tags: stalker, andrei tarkovsky, films

original: https://abadonnas.tumblr.com/post/630984469562736640

report

pocmodels: Herieth Paul at LaQuan Smith FW 20

pocmodels: Herieth Paul at LaQuan Smith FW 20

filmswithoutfaces: La Belle Noiseuse (1991)dir. Jacques Rivette

filmswithoutfaces: La Belle Noiseuse (1991)dir. Jacques Rivette

gazeteur: If she had looked out the window, she might have seen a great, hoary old black owl alight on the branch of the oak tree. She might have seen the owl lean perilously forward on his green-black branch and, without taking his gaze from her

gazeteur: If she had looked out the window, she might have seen a great, hoary old black owl alight on the branch of the oak tree. She might have seen the owl lean perilously forward on his green-black branch and, without taking his gaze from her

jung-koook: #HAPPYNAMJOONDAY

jung-koook: #HAPPYNAMJOONDAY

joaquins-phoenixs: Stoker (2013) dir. Park Chan-wook

joaquins-phoenixs: Stoker (2013) dir. Park Chan-wook

dicapriho: Amy Adams photographed by Boe Marion for So It Goes magazine, 2018

dicapriho: Amy Adams photographed by Boe Marion for So It Goes magazine, 2018

woolfdaily: “‘Ecstasy!’ she cried, ‘ecstasy!’ And then the wind sank, the waters grew calm; and she saw the waves rippling peacefully in the moonlight.” — Virginia Woolf, from “Orlando, A Biography,”

woolfdaily: “‘Ecstasy!’ she cried, ‘ecstasy!’ And then the wind sank, the waters grew calm; and she saw the waves rippling peacefully in the moonlight.” — Virginia Woolf, from “Orlando, A Biography,”

filmswithoutfaces: The Master (2012)dir. Paul Thomas Anderson

filmswithoutfaces: The Master (2012)dir. Paul Thomas Anderson

frodo-baggins: “They were nearing the surface, approaching the threshold, when, fearing losing Eurydice and impatient to see her, her loving spouse turned.” Portrait de la jeune fille en feu (2020) | dir. Céline Sciamma

frodo-baggins: “They were nearing the surface, approaching the threshold, when, fearing losing Eurydice and impatient to see her, her loving spouse turned.” Portrait de la jeune fille en feu (2020) | dir. Céline Sciamma

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